Five Tips For the Best Quality Voice Over Recording

When developing a voiceover recording (or voiceover, or voiceover.  Nobody seems to realize for certain), the final product is typically nothing but the voice. All using itself. With not anything else to hide flaws. Yes, occasionally, voiceovers are followed through background tracks, including narrating quick films or in podcast intros and “outros.” But for most elements, a voiceover recording is the voice.

That being the case, the higher the sound, except for the extra expert, the quit-end result could be. In a perfect international, we’d all be wealthy, and everybody should have the funds for massive diaphragm condenser mics and remarkable analog-to-virtual converters for our PC recording studios. But as we recognize, this is not a perfect international. Most people will best be capable of affording the less expensive equipment. That’s OK. The techniques I point out in this article will enable you to get the first-rate possible excellent out of anything you use.

So, what makes a great first-class voiceover? There’s some subjectivity to the problem; however, in well-known, the voice has to be clear, up-front, smooth to apprehend, and have a level extent (you may hear the loud elements and the gentle parts without pain or straining, respectively), and is as noise-unfastened as viable. Let’s begin at the start of the recording consultation.

1. Get Close to the Mic-

Make sure your mouth is four-12 inches far away from your mic. Experiment with the gap; however, you are going right here to ensure the voice is recorded as loudly as possible without overloading the mic or causing ugly feelings like p-pops. Since we’re using a computer recording studio, it is fairly smooth to see if your voice is recorded sufficiently or too loud. The agent will display in recording software as wave paperwork (or “squiggly blobs,” as I call them) in what looks like a swim lane to your display. You want the blob to take in as many tons of the swim lane as feasible without touching the perimeters. Experiment with distance from the mic till you gain this.

2. Record In a Quiet Room-

It’s almost impossible, particularly with a laptop recording studio, to have very noise-free surroundings to document. But the lower the noisiness, the better. Control what you can. For instance, close the door to the room you enter to preserve the household noises. Put the mic sufficiently far from your PC so the fan and drive noise are not too loud. Sometimes, strategically using blankets or mattresses can help right here. Just do not block the laptop vents, or it can overheat. You may also want to choose a time of day while the associates are not mowing lawns or construction isn’t always nearby.

3. Reduce The Noise-

After It’s Recorded, Most recording software (inclusive of the open-source Audacity) comes with fundamental sound-enhancing equipment, including noise gates and noise discounts. Since there likely will be a few noises, however few, within the recording (you can not prevent all of them), you’ll need to rent one or each of the above editing equipment. I propose attempting the noise gate first. That will shut out all noise through the silent bits while the voice is not speaking, allowing all audio (noise included) to skip while the voice is saying.

If you most effectively have a little hiss or fan noise, this works thoroughly. Just be careful that matters do not sound too odd while the gate opens and closes. You can play with the settings to make this sound extra-natural. Also, if the ambient noise is too loud, it could sound unnatural within the silent bits between speech when it abruptly sounds too quiet in assessment while the voice is speaking.

If noise gating isn’t always enough, attempt a noise discount tool. But be warned, this may make the audio sound atypical if overused. Noise reduction artifacts sound like the voice is beneath the water Kinfolk of “swirly,” to lose a better term. Noise reduction treats all audio, the speaking, AND non-speaking elements. For it to work right, you tell the computer what just noise sounds like by selecting a place (in which there’s no speech) that is ONLY noise.

In that manner, the device is aware of what to put off. If the noise is not too loud, this works properly. But the extra noise in the recording, the greater the “underneath-water” it will sound after the noise discount. Experiment with this tool’s settings to get a high-quality result.

4. Squish the Audio With a Compressor-

Audio compression is something else that must be used with caution. It is easy to spoil audio with an excessive amount of of-of. Properly used, strolling this enhancing tool with even the audio quantity to listen to the softer, quieter parts AND the loud, exciting elements while not having to flip the quantity knob up and down constantly.

A compressor will lessen the quantity of just the components over a certain loudness degree (you pick out this degree), leaving the quieter audio on my own. This lets you, the audio creator, grow the voiceover’s overall volume without being too loud. Remember when I referred to seeking to get much of the swim lane’s voice as feasible without touching the edges? Compression permits you to do this. When audio “touches the sides,” it distorts a terrible component with laptop audio. As with the other equipment, play with the settings and experiment for the first-rate result.

5. Normalize-

The ultimate issue I typically do is practice one more audio editing tool normalization. All this indicates is to boost the audio extent properly up to the point before the loudest bit can distort. For example, if there was a yelling bit in the voiceover, that element will display as the “tallest” little bit of wave shape within the swim lane. So normalizing reveals the tallest (loudest) bit and turns everything up till simply earlier than the tall part touches the side. This guarantees the audio is as loud as feasible without distorting.

If you do those five things, you must end up with the first-rate voiceover recording possible with any microphone. The excellent component is that appointing those five domestic recording suggestions won’t cost you anything. Give it an attempt to see if your audio doesn’t sound a lot higher later on. For extra home recording hints, visit the Home Brew Audio website. Check out our video tutorials, articles, free downloads, and more.

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